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Larry Burrows, "Yankee Papa 13" 1965 |
Before the 1960s, the media had no desire to cover stories
about Vietnam. However, by the mid- 1960s the number of press corps in South Vietnam
had tripled. By August of 1964 the number had grown to 419. These journalists
entered Vietnam, not with the hope of helping to end the war, but with hopes
that they would capture a great story and a great shot that would be worthy enough
to be shown in a high-profile newspaper or magazine. And if they were lucky, an image they took would appear on television. The Vietnam War was also a time when war
photography began to expand. Photographers like Larry Burrows and Nick Ut and
their photographs became well known and Ut even received a Pulitzer Prize for
his photograph of “Napalm Girl.” These photographs
displayed and exploited the suffering of others was viewed daily in American
and the ethical problem of consuming images of suffering comes into play.
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"Napalm Girl", Nick Ut, 1972 |
Vietnam did happen, and because the era's most powerful symbol of damaged ideals and the loss of trust, unity, shared myths, and common values. Like a magnet, which draws steel shavings scattered on a sheet of paper into a particular form and pattern, Vietnam gave visible shape to the great cultural changes sweeping over American society, defining, more that nay other event, the era and its pains.
Sources:
Robert Griffith and Paula Baler, Major Problems in American History Since 1945
Susan Sontag, Regarding the Pain of Others
http://en.wikipedia.org/wiki/U.S._news_media_and_the_Vietnam_War
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